Category: Horror

Read More

31 Films of Halloween: Women in Horror Edition

Appreciation of Black Women In Horror

Happy Halloween goblins, witches, vampires, and other ghoulish creatures!

For my final 31 Films of Halloween: Women in Horror Edition post, I decided to show appreciation for the Black women in horror! The first Black women who began appearing in horror films were in the 1930’s, and they held roles that strongly represented the social values of America at the time. Films like Chloe, Love is Calling You (1934) and Ouanga (1936) showed Black women as the villain White people (mostly White women) had convinced themselves that they were- thieves of their babies and their men. As the film industry progressed and the horror genre pressed on making more films, the role of Black women in these films didn’t increase in number nor in value. They were pigeon-holed into roles that further stigmatized the ideas around Black people and their culture. They were voodoo priestess’s, gyrating natives, and loyal mammies who served the only purpose of furthering a plot or storyline.

Then, came in the 1970’s. Just as Black pride movements continued their ever-increasing momentum- with an emphasis on Black hair, culture, clothes, and more- came the rise of the Blaxploitation film genre. During this decade, approximately 13 horror films were made that centered around Black women. Most of them were Blaxploitation. They told stories that stepped away from mammie-tropes and the like, and they focused on what horror was truly about- zombies, possession, and more- while Black women served as the focal point, the heroines. Characters like Sugar Hill and Abby Williams are truly a revelation when you go back throughout history and re-watch these stories.

After the 70’s, however, horror films were starring less and less Black women all over again. With the exception of a few, Black women took on a new role- the doting, sacrificial best friend. Scream 2, Freddy vs. Jason, I Know What You Did Last Summer, and even The Vampire Diaries placed Black women in this new role. They weren’t stereotyped; they were just irrelevant. Their fate could have gone either way, and it wouldn’t have effected any aspect of the film.

Everything wasn’t all bad though, right? Of course not! After the birth and death of Blaxploitation, audiences were gifted some really memorable- no iconic- Black female characters in film. Even if they only came once every few years, they still made a stamp where they stood. In 1986, Grace Jones played one of the most stylish, groovy vampires in film ever. Vamp is a campy, cult classic with Jones being the highlight of it all. In 1995, Jada Pinkett Smith plays the demon slayer in Demon Knight, and that same year, Angela Bassett plays Rita Veder in Vampire in Brooklyn. Both were roles you’d hardly ever- if ever- seen Black women play. Vampire in Brooklyn is a reimagination of vampire-lore unlike any other.

Recently, the 2000’s definitely seem to have gotten the ball rolling a little faster. 28 Days Later, Gothika, and Alien vs. Predator all came out the same decade, and they all have a powerful Black woman charging the head of their film. More recent years also seem to be catching wind of the want- no the need- of more Black women in horror. It’s no doubt that Lupita Nyong’o’s performance in Us will go down as one of the most outstanding and popular performances of this decade. And films like Ma allow for Black women to be fun and campy the way we all love horror to be. As the film industry expands its definition of diversity, it’s sometimes easy to feel annoyed with how late and how slow their progress really is. But I also can’t help but feel so excited about what the future has to offer.. What, with things like Candyman in the near future and all.

SO without further ado, here are some of my favorite Black female characters in horror. There’s so many more that deserve recognition, but enjoy this modest list of mine.

Read More

31 Films of Halloween: Women In Horror Edition

For my next 31 Films of Halloween, I want to honor the Underworld series. Selene (played by Kate Beckinsale) is my favorite badass, leather-wearing vampire woman in a 5-film series. The Underworld series definitely gets a bad rep, and sometimes it’s understandably why. It’s the only film series (besides Star Wars) where bullets never seem to land. And there is more emphasis placed on the aesthetics (hotness) of the film rather than the actually story-telling. Nonetheless, I love this film franchise!

Read More

31 Films of Halloween: Women in Horror Edition

Black and White Beauties

Happy Halloween fellow horror lovers!

It is said that the first noted “woman in horror” was Jehanne D’Alcy. After leaving the theatrical stage in 1896, she went on to participate in a number of “horror” films directed by her husband- George Melies. His work on The House of the Devil (1896), A Terrible Night (1896), and A Nightmare (1896) makes him the first technical horror director. Although his works were meant to instill wonder and amazement- not fear- his technical style, use of practical effects, and thematic stories of devils, giant spiders, and men turning into bats, made them what they are considered today. They helped establish a role for women in film that made them seductresses, damsels, and mystifying creatures from an unknown world.

Read More

The Nuances of Language and Symbolism That Drive “Lovecraft Country”

HBO’s Lovecraft Country is a gem stocked full of symbolic references that appeal to horror and science fiction fans, while speaking on the evils of racism.

HBO premiered it’s brand new, drama horror show- Lovecraft Country– on August 16, 2020. Based on Matt Ruff’s eponymous novel, Lovecraft Country follows a young, Black man, named Atticus ‘Tic’ Freeman (played by Jonathan Majors), as he learns about his family history, searches for truth, and battles against mythical and every day monsters.

Written by Misha Green, the television show creates an immovable life force with its story and pacing as it takes our main characters through the terrifying mazes of Jim Crow-era America and a secret, witch cult named the Sons of Adam. What really elevates the show to new, heightened levels is the incorporation of symbolic references that add on to an already linguistically and thematically nuanced storyline. It makes you think. It keeps you on your toes, finding new information and Easter eggs with each re-watch.

Read More

Reinvention Through a Modern Lens: The Invisible Man (2020)

We are living through an age of re-invention. Whether it is through fashion trends, slang, or in the case of The Invisible Man (2020), horror films. Re-invention is more than just re-adaptation or a reboot. A Nightmare on Elm Street (2010) was a reboot of the eponymous 1984 film. However, The Invisible Man is the re-invention of its 1933 predecessor.

Instead of re-telling the old story of Griffin- a maniacal scientist who turns himself invisible- this is the story of Cecilia “Cee” Kass (Elizabeth Moss) on the run from her sociopathic, abusive boyfriend, Adrian Griffin (Oliver Jackson-Cohen.) Adrian is an optics scientist who has gained indispensable wealth through his inventions. One invention in particular, however, he has kept to himself, and it is a suit covered in cameras that renders it’s host invisible. So after Cecilia’s prison break from Adrian’s physical grasp at the beginning of the film, he fakes his own suicide and uses his invisible suit to continue his abuse towards Cecilia in a more sinister and horrific way.

Read More

Happy Valentine’s Day: Taking a Look at “My Bloody Valentine” (1981) 29 Years Later

Happy Valentine’s Day to my lovers, my friends, my in-betweeners, and my single party people!
What’s better than spending $100+ on a date night out? If you’re like me, then staying in and watching some good movies is always better. Right now, streaming services have a slew of romantic films for you to cuddle up to and revel in the bliss of Hollywood-curated love. Netflix has gems like Obvious Child (2014), The Notebook (2004), and Her (2013). You can cry along to If Beale Street Could Talk (2018) or binge 90 Day Fiance on HULU. Or you can get a little wild and watch The Big Sick (2017) and Bridget Jones’ Diary (2001) on Amazon Prime. No matter what streaming service you choose, love is in the air.

HOWEVER, if you’re a gal like me, there’s nothing like snuggling up with a good horror movie for any day of the year. Horror films are the epitome of comfort to me, so I have special one’s I watch for every holiday. Krampus (2015) and Black Christmas (1974/2019) on Christmas, Jaws (1975) on the Fourth of July, and My Bloody Valentine (1981) for Valentine’s Day (watch for free on Crackle)!