Once described as the “Asian Daria,” Diane Nguyen is unlike the rest of her rag-tag counterparts. Her morbid, self-aware, and monotone nature stands out like a sore thumb in the middle of Hollywood’s A-list party. Her moral high ground is miles above the rest of her friends’, and that makes her not only the moral compass of the show much of the time, but it also gives her a condescending personality- one that she uses on others profusely, but rarely on herself. She is constantly talking down on her loved ones, simply because she expects more of them than they expect from themselves.
Atlantics (2019) was first released at the 2019 Cannes Film Festival when it competed for the Palme d’Or. The films director and co-writer, Mati Diop, made history when she became the first black woman who directed a film featured in the competition- also winning the Grand Prix award for it. After its release at Cannes and later in Senegal, the film was picked up and released on Netflix for wide viewing.
ARRAY is the new voice of film artists of color and female filmmakers worldwide. Founded by Ava DuVernay, the independent film distribution company places focus on black stories and female voices, with it’s most recent release, Jezebel, being a manifestation of both.
Jezebel (2019) is a semi-autobiographical, coming-of-age film written and directed by Numa Perrier. The story follows 19 year old Tiffany (Tenille) through the struggles of growing up and losing her mother, while she also finds work as a cam-girl.
Marriage Story (2019) is the brand new Noah Baumbach film released on Netflix this month. The film and its stars have been nominated for numerous upcoming awards, and its clips are being shared and discussed all over the tweeter every day. Whether you’ve liked the film or even seen it, you’ve at least heard of it and its explosive scene between the two main characters- Nicole (Scarlett Johansson) and Charlie (Adam Driver.)
“I bow to no law made by men who never bore a child.”- Queen Calanthe (The Witcher-2019)
Netflix’s new show, The Witcher, based on a slew of books, stories, video games, and more content of the same name, premiered just at the end of 2019 and really ended the streaming services year of shows and original films with a ‘bang.’ In the new series, we watch as states literally rise and others fall at the hands of those risen states, and we watch as Mages helm the opposing sides into victory. The Witcher is much like many fantasy shows of it’s kind, with witches and kings and queens galore, but what I believe this show began, and what I hope it will continue to do, is tell in-depth stories about the characters of its show and also offer ample opportunities for people, especially women, of color.
Every once in a while, a romantic-comedy is released and restores a little bit of peace to the world. The rose-colored haze of epic loves and grand, romantic gestures seen on film is enough to make almost anyone forget the trivialities of real life for just an hour and a half and completely allow themselves to be swept away by the fairy-tale.
When To All the Boys I’ve Loved Before released back in 2018, it felt like an ample amount of people collectively got swept away by its fairy-tale. And we absolutely loved it! With the amount of success and adoration the first film received, it came with no surprise that the sequel was approved. After that epic declaration of love and the magical kiss on the lacrosse field, audiences sat impatiently to see what problems the next film would bring the shining, young couple.